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Karen Ingham

  • About
  • Selected Projects
    • Deluge (2017 – 2018)
    • Virtual Embodiments (2016-2017)
    • Pembrokeshire Drovers (2016)
    • HOMESICK (2015)
    • Crafting Anatomies and Facescapes (2015)
    • States of Mind (2015)
    • Hybrid Lives Co-Working Space (2014)
    • Wonder Chamber (2012)
    • Variance (2012)
    • Between: Embodiment & Identity (2012-2013)
    • Pollinator Frocks (2010-2011)
    • Narrative Remains (2009)
    • Fragile Mass (2008)
    • Unnatural Histories (2008)
    • Seeds of Memory (2006)
    • Vanitas: Seed Head (2005)
    • Anatomy Lessons (2004)
    • Deaths Witness (2000)
    • Lost (1998)
  • Developments
  • Exhibitions
  • Publications
  • Contact
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Selected Projects

Digital Cadaver (2001)

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Selected Projects

Deaths Witness (2000)

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Selected Projects

Lost (1998)

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About Karen Ingham

Dr Karen Ingham is an internationally exhibited and published artist, an interdisciplinary environmentalist and an Emeritus Professor of Art and Science Interactions. She was born in England and has lived and worked in the United States, Germany, and Norway. Her home and studio practice is in Wales. Ingham is an artist that became a filmmaker (C4, BFI, BBC, international festivals) before returning to studio practice and subsequently research and academia. Her expanded practice is broadly positioned across three main fields of exploration: climate change, environmental threats to the marine environment and coastal communities, and biodiversity loss; medical discourse, subjectivity and the biological sciences; digital and hybrid design and the agency of objects. She is an experienced collaborator who understands the process of creative exchange and much of her practice is socially engaged. Her film works are in several collections and her photographic practice is represented by Millennium Images, London.

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  • About
  • Selected Projects
  • Developments
  • Publications
  • Exhibitions
  • Contact
© Karen Ingham